American Art Deco: Designing for the People, 1918–1939 Concludes Frist Art Museum’s 20th-Anniversary Year
October 8, 2021–January 2, 2022
The Frist Art Museum presents American Art Deco: Designing for the People, 1918–1939, an exhibition that offers an in-depth examination of an international style that manifested stateside in decorative arts, fine arts, architecture, and design during the 1920s and 1930s. Co-organized by The Nelson-Atkins Museum of Art, Kansas City, Missouri, and Joslyn Art Museum, Omaha, Nebraska, American Art Deco will conclude the Frist’s 20th-anniversary year and be on view in the Ingram Gallery from October 8, 2021, through January 2, 2022.
Appropriately presented within the Frist’s own art deco interior during the museum’s 20th-anniversary year, the exhibition examines not only the glamour and optimism of the 1920s, but also the impact of the Great Depression in the 1930s. Approximately 140 works of art, including paintings by Thomas Hart Benton, Aaron Douglas, and Grant Wood; a 1930 Ford Model A; and a broad array of decorative objects—furniture, glassware, vases, and jewelry—along with an audio tour featuring music and imagined conversations will immerse guests in the dynamic interwar period.
As is evident in iconic structures like the Chrysler Building in New York, the Delano Hotel in Miami, and the Griffith Observatory in Los Angeles, architecture was one of the most common idioms in which the art deco style was utilized in the United States. The Frist’s building—formerly Nashville’s postal headquarters—was built in 1933–34 by local firm Marr & Holman and financed by the US Treasury Department’s Office of Construction. The lobby contains examples of art deco–style colored marble and other stone geometric forms on the floor and walls, as well as cast-aluminum doors and grillwork featuring symbols of local industry. “We hope that our building provides the perfect context for this show that reflects this complex age of American zeal and loss,” says Frist Art Museum senior curator Katie Delmez.
The years between the two world wars saw great social, political, and cultural change in the United States. “Hundreds of thousands of African American families left the South for economic opportunities and hopes of racial equity in northern, midwestern, and western cities; women won the right to vote through the Nineteenth Amendment to the Constitution in 1920; and artists adopted modern streamlined styles developed in Europe using new production technologies and materials,” says Delmez. “The range of works in this exhibition allows audiences to consider both the optimism and glamour of this moment in our nation’s history and the devastation and discrimination that was also prevalent.”
Programs
Friday, October 8
Curator’s Perspective: American Art Deco: Designing for the People, 1918–1939 presented by Catherine Futter, senior curator, decorative arts, Brooklyn Museum
6:30 p.m.
Frist Art Museum Auditorium
Free; first come, first seated.
Space is limited.
Join exhibition curator Catherine Futter to learn more about the exhibition and era through decorative arts, fine arts, architecture, and design. During this one-hour illustrated lecture, Futter will explore key themes of the exhibition, such as industrial and technological progress in the period following World War I, as well as relative social progress for women and people of color; the rise of the middle class and consumer culture; and the migration of styles, ideas, and designers from Europe to the US.
Sunday, November 21
2:00 p.m.
Auditorium
Free; space is limited.
Join Duke Ellington, the great master of jazz, as he takes us on a musical journey with his puppet friends in this special presentation by Wishing Chair Productions.
Sunday, December 12
2:00 p.m.
Auditorium
Free; space is limited.
The Nashville Jazz Workshop presents Jazz AM, a fun, interactive concert for families. The story of jazz great Ella Fitzgerald will come to life through live music, performance, and song.
Exhibition Credit
Organized by The Nelson-Atkins Museum of Art, Kansas City, Missouri, and Joslyn Art Museum, Omaha, Nebraska
Image Credits
1. Paul T. Frankl, designer (American, born Austria, 1887–1958); Warren Telechron Company, manufacturer (Ashland, Massachusetts, 1926–1992). Modernique Clock, 1928. Chromium-plated and enameled metal, molded Bakelite, and brush-burnished silver, 7 3/4 x 6 x 3 1/2 in. Collection Kirkland Museum of Fine & Decorative Art, Denver, Gift of Michael Merson, 2010.0670. Image courtesy of Kirkland Museum of Fine & Decorative Art, Denver. Photo: Wes Magyar
2. John Henry Bradley Storrs (American, 1885–1956). Ceres, ca. 1928. Cast terracotta, nickel-plated, 20 1/4 x 4 3/4 x 3 7/8 in. Wichita Art Museum, Museum purchase, Friends of the Wichita Art Museum, 1987.7. © Estate of John Storrs
3. Aaron Douglas (American, 1899–1979). Noah’s Ark, 1935. Oil on Masonite, 48 x 36 in. Fisk University Galleries, Nashville, Tennessee. © 2021 Heirs of Aaron Douglas / Licensed by VAGA at Artists Rights Society (ARS), NY. Photo: Jerry Atnip
Supporter Acknowledgment
Platinum Sponsor: HCA Healthcare/TriStar Health
Hospitality Sponsor: Union Station Hotel
Education and community engagement supporter: First Horizon
Spanish translation sponsor: Vanderbilt Center for Latin American Studies
The Frist Art Museum is supported in part by The Frist Foundation, the Metro Nashville Arts Commission, the Tennessee Arts Commission, and the National Endowment for the Arts.
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